How Fascism Came
Chris Hedges • December 23, 2024
https://www.unz.com/article/how-fascism-came/
For over two decades, I and a
handful of others — Sheldon Wolin, Noam Chomsky, Chalmers
Johnson, Barbara
Ehrenreich and Ralph Nader —
warned that the expanding social inequality and steady erosion of our
democratic institutions, including the media,
the Congress, organized
labor, academia and
the courts,
would inevitably lead to an authoritarian or Christian fascist state. My books
— “American
Fascists: The Christian Right and the War on America” (2007), “Empire
of Illusion: The End of Literacy and the Triumph of Spectacle” (2009),
“Death
of the Liberal Class” (2010), “Days
of Destruction, Days of Revolt” (2012), written with Joe Sacco, “Wages
of Rebellion” (2015) and “America:
The Farewell Tour” (2018) were a succession of impassioned pleas to
take the decay seriously. I take no joy in being correct.
“The rage of those abandoned
by the economy, the fears and concerns of a beleaguered and insecure middle
class, and the numbing isolation that comes with the loss of community, would
be the kindling for a dangerous mass movement,” I wrote in “American Fascists”
in 2007. “If these dispossessed were not reincorporated into mainstream
society, if they eventually lost all hope of finding good, stable jobs and
opportunities for themselves and their children — in short, the promise of a
brighter future — the specter of American fascism would beset the nation. This
despair, this loss of hope, this denial of a future, led the desperate into the
arms of those who promised miracles and dreams of apocalyptic glory.”
President-elect Donald Trump
does not herald the advent of fascism. He heralds the collapse of the veneer
that masked the corruption within the ruling class and their pretense of
democracy. He is the symptom, not the disease. The loss of basic democratic
norms began long before Trump, which paved the road to an American
totalitarianism. Deindustrialization, deregulation, austerity, unchecked
predatory corporations, including the health-care
industry, wholesale
surveillance of every American, social inequality,
an electoral system that is plagued by legalized bribery, endless and
futile wars, the largest prison
population in the world, but most of all feelings
of betrayal, stagnation and despair, are a toxic brew that culminate in
an inchoate hatred of the ruling class and the institutions they have deformed
to exclusively serve the rich and the powerful. The Democrats are as
guilty as the Republicans.
“Trump and his coterie of
billionaires, generals, half-wits, Christian fascists, criminals, racists, and
moral deviants play the role of the Snopes clan in some of William Faulkner’s
novels,” I wrote in “America: The Farewell Tour.” “The Snopeses filled the
power vacuum of the decayed South and ruthlessly seized control from the
degenerated, former slaveholding aristocratic elites. Flem Snopes and his
extended family — which includes a killer, a pedophile, a bigamist, an
arsonist, a mentally disabled man who copulates with a cow, and a relative who
sells tickets to witness the bestiality — are fictional representations of the
scum now elevated to the highest level of the federal government. They embody
the moral rot unleashed by unfettered capitalism.”
“The usual reference to
‘amorality,’ while accurate, is not sufficiently distinctive and by itself does
not allow us to place them, as they should be placed, in a historical moment,”
the critic Irving Howe wrote of
the Snopeses. “Perhaps the most important thing to be said is that they are
what comes afterwards: the creatures that emerge from the devastation, with the
slime still upon their lips.”
“Let a world collapse, in the
South or Russia, and there appear figures of coarse ambition driving their way
up from beneath the social bottom, men to whom moral claims are not so much
absurd as incomprehensible, sons of bushwhackers or muzhiks drifting
in from nowhere and taking over through the sheer outrageousness of their
monolithic force,” Howe wrote. “They become presidents of local banks and
chairmen of party regional committees, and later, a trifle slicked up, they
muscle their way into Congress or the Politburo. Scavengers without inhibition,
they need not believe in the crumbling official code of their society; they
need only learn to mimic its sounds.”
The political philosopher
Sheldon Wolin called our system of governance “inverted totalitarianism,” one
that kept the old iconography, symbols and language, but had surrendered power
to corporations and oligarchs. Now we will shift to totalitarianism’s more
recognizable form, one dominated by a demagogue and an ideology grounded in the
demonization of the other, hypermasculinity and magical thinking.
Fascism is always the bastard
child of a bankrupt liberalism.
“We live in a two-tiered legal
system, one where poor people are harassed, arrested and jailed for absurd
infractions, such as selling loose cigarettes — which led to Eric Garner being
choked to death by the New York City police in 2014 — while crimes of appalling
magnitude by the oligarchs and corporations, from oil spills to bank fraud in
the hundreds of billions of dollars, which wiped out 40 percent of the world’s
wealth, are dealt with through tepid administrative controls, symbolic fines,
and civil enforcement that give these wealthy perpetrators immunity from
criminal prosecution,” I wrote in “America: The Farewell Tour.”
The utopian ideology of neoliberalism and
global capitalism is a vast con. Global wealth, rather than being spread
equitably, as neoliberal proponents promised, was funneled upward into the
hands of a rapacious, oligarchic elite, fueling the worst economic inequality since the
age of the robber barons. The working poor, whose unions and rights were
stripped from them and whose wages have stagnated
or declined over the past 40 years, have been thrust into chronic
poverty and underemployment. Their lives, as Barbara Ehrenreich chronicled in “Nickel
and Dimed,” are one long, stress-ridden emergency. The middle class is
evaporating. Cities that once manufactured products and offered factory jobs
are boarded up-wastelands. Prisons are overflowing. Corporations have
orchestrated the destruction of trade barriers, allowing them to stash $1.42
trillion in profits in overseas banks to avoid paying taxes.
Neoliberalism, despite its
promise to build and spread democracy, swiftly gutted regulations and hollowed
out democratic systems to turn them into corporate leviathans. The labels
“liberal” and “conservative” are meaningless in the neoliberal order, evidenced
by a Democratic presidential candidate who bragged about
an endorsement from Dick Cheney, a war criminal who left office with a 13 percent approval
rating. The attraction of Trump is that, although vile and buffoonish, he mocks
the bankruptcy of the political charade.
“The permanent lie is the
apotheosis of totalitarianism,” I wrote in “America: The Farewell Tour”:
It no longer matters what is
true. It matters only what is ‘correct.’ Federal courts are being stacked with
imbecilic and incompetent judges who serve the ‘correct’ ideology of
corporatism and the rigid social mores of the Chrtistian right. They hold reality,
including science and the rule of law, in contempt. They seek to banish those
who live in a reality-based world defined by intellectual and moral autonomy.
Totalitarian rule always elevates the brutal and the stupid. These reigning
idiots have no genuine political philosophy or goals. They use clichés and
slogans, most of which are absurd and contradictory, to justify their greed and
lust for power. This is as true for the Christian right as it is for the
corporatists that preach the free market and globalization. The merger of the
corporatists with the Christian right is the marrying of Godzilla to
Frankenstein.
The illusions peddled on our
screens — including the fictitious persona created for Trump on The Apprentice
— have replaced reality. Politics is burlesque as Kamala Harris’ vapid,
celebrity-filled campaign illustrated. It is smoke and mirrors created by the
army of agents, publicists, marketing departments, promoters, script writers,
television and movie producers, video technicians, photographers, bodyguards,
wardrobe consultants, fitness trainers, pollsters, public announcers and
television new personalities. We are a culture awash in lies.
“The cult of the self
dominates our cultural landscape,” I wrote in “Empire of Illusion”:
This cult has within it the
classic traits of psychopaths: superficial charm, grandiosity and
self-importance; a need for constant stimulation, a penchant for lying,
deception, and manipulation, and the inability to feel remorse or guilt. This
is, of course, the ethic promoted by corporations. It is the ethic of
unfettered capitalism. It is the misguided belief that personal style and
personal advancement, mistaken for individualism, are the same as democratic
equality. In fact, personal style, defined by the commodities we buy or
consume, has become a compensation for our loss of democratic equality. We have
a right, in the cult of the self, to get whatever we desire. We can do
anything, even belittle and destroy those around us, including our friends, to
make money, to be happy, and to become famous. Once fame and wealth are
achieved, they become their own justification, their own morality. How one gets
there is irrelevant. Once you get there, those questions are no longer asked.
My book “Empire of Illusion”
begins in Madison Square Garden at a World Wrestling Entertainment tour. I
understood that professional wrestling was the template for our social and
political life, but did not know that it would produce a
president.
“The bouts are stylized
rituals,” I wrote, in what could have been a description of a Trump rally:
They are public expressions of
pain and a fervent longing for revenge. The lurid and detailed sagas behind
each bout, rather than the wrestling matches themselves, are what drive crowds
to a frenzy. These ritualized battles give those packed in the arenas a
temporary, heady release from mundane lives. The burden of real problems is
transformed into fodder for a high-energy pantomime.
It is not going to get better.
The tools to shut down dissent have been cemented into place. Our democracy
cratered years ago. We are in the grip of what Søren Kierkegaard called
“sickness unto death” — the numbing of the soul by despair that leads to moral
and physical debasement. All Trump has to do to establish a naked police state
is flip a switch. And he will.
“The worse reality becomes,
the less a beleaguered population wants to hear about it,” I wrote at the
conclusion of “Empire of Illusion,” “and the more it distracts itself with
squalid pseudo-events of celebrity breakdowns, gossip and trivia. These are the
debauched revels of a dying civilization.”
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